Art can be, and often is, a species of combat, a fight to the death.
Michael Glover
Michael Glover is a Sheffield-born, Cambridge-educated, London-based poet and art critic, and poetry editor of The Tablet. He has written regularly for the Independent, the Times, the Financial Times, the New Statesman and the Economist. He has also been a London correspondent for ARTNews, New York. His latest books are: Late Days (2018), Hypothetical May Morning (2018), Neo Rauch (2019), The Book of Extremities (2019), What You Do With Days (2019) and John Ruskin: a dictionary (2019).
How the Impressionists Captured Life on Paper
While painting on canvas often slows life right down, paper works were frequently the stuff of sketchbooks, not necessarily labored over in some studio.
Is Tate Modern’s Turbine Hall a Good Place to Show Art?
From Louise Bourgeois in 2000 to El Anatsui in 2023, countless artists have wrestled with the London exhibition space’s (im)possibilities.
Marina Abramović, a Shaman of Late Capitalism
Is the Royal Academy’s Marina Abramović retrospective spirituality or its monetization? You toss the coin.
How R.B. Kitaj Kept It All Together
In Kitaj’s work, the whole is an extravagant layering of several images into one.
William Blake, Our Contemporary
Tate Britain did wisely to rehang the British poet and painter closer to modernity.
Have Britain’s Bad Boys of Art Become an Institution?
With the Gilbert & George Centre, those two-forever-in-one (or one-forever-in-two) living sculptors have made a bid to claim immortality.
Enough With the Pre-Raphaelites Already!
Can we ever get enough of the Pre-Raphaelites, their lives, loves, and art? It seems not.
Gwen John’s Portraits of the “New Woman”
Gwen John: Art and Life in London and Paris shows the nature of her dogged opposition: how she fought back, and won, in her own way.
An Incomplete Portrait of Oskar Kokoschka
The Guggenheim Bilbao’s retrospective of the rebellious 20th-century Viennese artist features over 120 works, but leaves us wanting more.
The Doctor Who Inspired Van Gogh’s Final Paintings
Near the end of his life, Dr. Gachet urged van Gogh to resume painting because through his art he would find ways of unburdening himself.
The Sweet Pain of Saint Francis
What of Saint Francis, that selfless feeder of the birds and the animals? Does he not deserve to be remembered benignly?