Christine Coulson’s sophomore novel One Woman Show explores the formal constraints — and narrative possibilities — of the museum wall label.
Sophia Stewart
Sophia Stewart is an editor and writer from Los Angeles. She lives in Brooklyn and tweets at @smswrites.
Posted inArt
The Time Has Come for Artist-Mothers
Fruits of Labor at Apexart features eight artist-mothers whose work, directly and indirectly, is shaped by motherhood.
Posted inBooks
Can a Mother Devote Her Life to Art?
JoAnna Novak is five months pregnant when she decides to spend 18 days in the small town of Taos, New Mexico, to immerse herself in Agnes Martin’s life and work.
Posted inBooks
Maira Kalman Considers All That Women Hold
By turns whimsical and poignant, Kalman’s Women Holding Things combines two of her most consistent subjects: women and beloved objects.
Posted inFilm
Is There Anything Left to Say About the Male Gaze?
Nina Menkes’s Brainwashed: Sex-Camera-Power wants to join the ongoing conversation about gender and film. The trouble is that it has nothing new to say.
Posted inBooks
How One Woman Built a Famous Male Architect’s Legacy
Eva Hagberg’s new book sheds light on the relationship between critic and publicist Aline Louchheim and architect Eero Saarinen.
Posted inBooks
When a Woman Chooses Art Over All Else
Both Celia Paul and Gwen John oriented their lives around being artists and were diverted by romantic entanglements with famous male artists that reduced them to muses. Was it worth it?
Posted inFilm
A Bruce Mau Documentary Can’t Explain What the Man Does
MAU is too charmed by its subject to nail down what he has achieved, or why people should even care about him in the first place.
Posted inBooks
The Complicated Legacy of Modernist Minoru Yamasaki, Architect of World Trade Center
Yamasaki’s most well-known projects — the twin towers and the Pruit-Igoe housing project — were both destroyed on national television.
Posted inArt
What Might a New, 21,000-square-foot Art Space Bring to Brooklyn?
With the opening of the new, $40 million structure in East Williamsburg, it poses the question of its role in the local arts community — one of collaboration or conquest?
Posted inBooks
Enough with the Ableist Worship of Frida Kahlo
Emily Rapp Black’s new book cuts though self-serving interpretations of disabled bodies like Kahlo’s, which have long emphasized the comfort or pleasure of others.
Posted inFilm
No Wave Musician Lydia Lunch Gets Her Due
Beth B’s biographical documentary The War is Never Over has a DIY sensibility befitting the No Wave performer.
