“Three Transitions” from 1973 depicts a slippery reality that thwarts the notion of video as an inherently “documentary” medium.
Julia Curl
Julia Curl is a Ph.D. student in the Department of Art and Archaeology at Princeton University. Her research focuses on avant-garde film and photography, particularly in relationship to literature. She curates film programming for the Film-Makers’ Cooperative and William Burroughs’s former apartment, the Bunker.
Carla Williams Takes Ownership of the Gaze
Williams’s scholarly interest in the Black female form paralleled a decades-long private photographic practice that began in the 1980s.
Jay DeFeo Put a Lens Up to the World
Recently discovered work demonstrates DeFeo’s status as a major contemporary photographer.
A Global History of Women’s Photography Includes Over 300 Artists
This book unearths a trove of unseen images from the past two centuries.
The “Society Photographer” of NYC’s Downtown Underground
Jimmy DeSana’s work remains transgressive, even by today’s standards.
Bernd and Hilla Becher’s Misunderstood Oeuvre
Critics who have deemed the photographer couple’s work outmoded and detached are simply wrong.
Pierre Clémenti, Rebel With a Cause
The French director made his films with his own earnings as an actor, not for monetary gain or widespread recognition but as a form of self-realization.
Women’s Photography as a Tool of Resistance
What is a feminist picture? A MoMA exhibition is the latest to attempt to answer this question.
Jean Painlevé Revealed the Otherworldliness Beneath the Water’s Surface
His detailed images of microscopic aquatic creatures suggest a version of Surrealism’s dream realities.
Justine Kurland Cuts the Male Canon to Pieces
In SCUMB Manifesto, Kurland slices up her collection of photo books by men to create collages that subvert the male gaze.
Using Her Mouth and Feet, Lorenza Böttner Created an Immense Body of Work
A childhood accident took her arms away but the transgender artist survived to create paintings, photography, and performances focused on depicting the body.
Art’s Conventional Signifiers Are No Longer Useful
Pratt’s MFA Thesis Exhibition features immersive presentations that transcend the parameters of traditional painting.