How well gallerists manage ties with artists determines how successful we are in making an artist happy (assuming there’s such a thing as a happy artist).
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Francesco Dama
Francesco Dama is a freelance art writer based in Rome, Italy.
He regularly writes for several print and online publications, and wastes most of his time on Instagram.
The Sensual Politics of Jochen Klein
In Klein’s work, the critical structure and the sheer pleasure of painting are inextricable.
Guglielmo Castelli the Melancholic Painter
The Italian artist speaks with Hyperallergic about his home city of Turin, the loneliness of his characters, and more.
The Lost New York of Larry Stanton
Stanton, who died of AIDS complications in 1984, left behind an engaging body of work, a moving tribute to a bygone generation of creative minds.
Remembering James Bidgood, a Pioneer of Gay Film
I vividly remember the first time I saw James Bidgood’s underground film Pink Narcissus (1971): I was 15 and still in the closet.
A Photographer’s Portrait of the Theater of the Streets
A pioneer of street photography, Levitt worked in the most crowded and poorest neighborhoods of New York searching for the theater of everyday life.
At Rome’s Quadriennale, Out With the Old and In With Historical Interventions
Fuori proposes a reinterpretation of Italian visual arts from the 1960s to the present day, affording greater prominence to women and young artists.
Remembering Patrick Cowley, Pioneer of Dance Music and Occasional Composer of Porn Soundtracks
Melding psychedelia with disco at a fast tempo, Cowley helped refine a new music genre, “Hi-NRG,” which seemed ideal to enhance the hot and sweaty vibe of San Francisco’s gay clubs.
In 1977, an Artist Married Her Male Alter-Ego to Challenge Chauvinism
For almost 50 years, Tomaso Binga has been tackling the numerous manifestations of patriarchy in Italian culture. At 88, she is a living legend in Rome’s cultural scene.
Finding Beauty in the Mundane Landscapes of Northern Italy
In Luigi Ghirri’s Colazione sull’Erba, previously unpublished images from the photographer’s archive present a sparsely populated world of placid tranquility.
Reimagining Artworks as Actors and the Gallery as a Stage
For General Rehearsal, authors wrote scenes for fictional productions, selecting works of art instead of characters.
A Film Probes the Legacy of BUTT Magazine
At the beginning of the 2000s, Dutch publishers Gert Jonkers and Jop van Bennekom started to edit BUTT with the aim to tackle the then mainstream gay aesthetic of perfectly groomed men with something dirtier, frank, and authentic.