In the aftermath of the sublimely ominous and abstract episode “Part 8” (aka “Gotta Light”), Metrograph organized a wide-ranging program of related films and video art.
Jeremy Polacek
A son of the Chicago suburbs, Jeremy Polacek has somehow lived in New York City longer than in that metropolis of the Midwest. Often found in the dim light of the theatre or library, he tweets at @JeremyPolacek.
Posted inFilm
A German Filmmaker Who Captured the Poetics of Labor and the Legacy of Fascism
The Film Society of Lincoln Center is presenting A Vision of Resistance: Peter Nestler , the first large retrospective dedicated to the filmmaker in the US.
Posted inArt
From Aura Photos to Automatic Writing, an Artist Plumbs the Abyss Between Belief and Disbelief
Susan Hiller’s exhibition at Lisson Gallery approaches the weird and the unusual with illuminating, liberating aplomb.
Posted inArt
Dispassionate Films of Crushed Cars and the Mirrored Moon
In his solo show at Andrew Kreps Gallery, Kevin Jerome Everson offers an abstracted extension of the more human-centered work he’s known for.
Posted inFilm
Two Experimental Films About a Cross-Dressing Female Adventurer in the Early 20th Century
BAM concludes its remarkable Leslie Thornton retrospective with a hefty pairing of digressive, serious works.
Posted inFilm
A Long-Censored Chilean Filmmaker Revisits a Documentary 30 Years Later
Playing at Film Society of Lincoln Center’s Art of the Real series, This Is the Way I Like It II is a playful, entangled follow-up to Ignacio Agüero’s 1985 film.
Posted inFilm
A Deeply Intimate Movie About Going Blind
Peter Middleton’s and James Spinney’s Notes on Blindness is a dramatic account of English theologian John Hull’s loss of sight.
Posted inArt
From Silver Screen to Boob Tube, Mass Media Art Goes to the White Cube
That film is open to all sorts of escapes, inspirations, and incursions has long been the stuff of movies.
Posted inFilm
Pensive Short Films About Peculiar and Forgotten Places
The texture and peculiarity of history, place, and the everyday color a ruminative set of short films in this year’s Art of the Real at the Film Society of Lincoln Center.
Posted inArt
An Expansive Exhibition Stars Hollywood and Contemporary Art
As Walkers: Hollywood Afterlives in Art and Artifact, the Museum of the Moving Image’s auspicious foray into exhibiting contemporary art, wryly suggests, it might be film and its iconic images that help stave off decay.
Posted inArt
The Avant-Garde Films of a Thief of Light and Shadow
Thieves tend to be remembered fondly, grandly, or at least without the usual sort of scorn that characterizes criminality.
Posted inArt
Moving Forwards and Backwards in Time with ‘The Shining’
Picked apart and poured over by a confederacy of film-obsessed mavens with keen eyes and airtight attention spans, Stanley Kubrick’s opus The Shining (1980) has proven remarkably fecund over its 36-year lifetime.
