“Three Transitions” from 1973 depicts a slippery reality that thwarts the notion of video as an inherently “documentary” medium.

Williams’s scholarly interest in the Black female form paralleled a decades-long private photographic practice that began in the 1980s.

Recently discovered work demonstrates DeFeo's status as a major contemporary photographer.

This book unearths a trove of unseen images from the past two centuries.

Jimmy DeSana’s work remains transgressive, even by today’s standards.

Critics who have deemed the photographer couple’s work outmoded and detached are simply wrong.

The French director made his films with his own earnings as an actor, not for monetary gain or widespread recognition but as a form of self-realization.

What is a feminist picture? A MoMA exhibition is the latest to attempt to answer this question.

His detailed images of microscopic aquatic creatures suggest a version of Surrealism’s dream realities.

In SCUMB Manifesto, Kurland slices up her collection of photo books by men to create collages that subvert the male gaze.

A childhood accident took her arms away but the transgender artist survived to create paintings, photography, and performances focused on depicting the body.

Pratt’s MFA Thesis Exhibition features immersive presentations that transcend the parameters of traditional painting.

The photographer chronicles her life as a queer woman of color born with HIV.

Twelve women photographers demonstrate their creative ingenuity and raw technical skill.

Calle’s methodical analysis makes the reader more curious about the artist herself than the guests she spies on.

Imagining the photographic print as a singular art object.

The exhibition at the Metropolitan Museum aims to move beyond Euro-American historical narrative.

This retrospective of the work from a São Paulo photo club is a reminder that Modernism was not solely a European phenomenon.

Faustine's depiction of household shared by three generations of Black women presents matriarchy as a source of power.