Sara Raza’s limited curatorial vision empowers dictators and diminishes artists who are making work that has political impact and carries risk.
Nevdon Jamgochian
Nevdon Jamgochian is a teacher, writer, and painter based in South East Asia.
nevdon@protonmail.com
Josh Kline’s Exercise in Poverty Porn
Nothing about the on-the-nose works in Kline’s Whitney exhibition is sublime; instead, they teeter into the perverse.
Artwashing a Dictatorship
Has spending millions on contemporary art and architecture helped Azerbaijan artwash its image?
Google Arts & Culture as an Agent of Ethnic Cleansing
After Azerbaijan declared victory following six weeks of brutal conflict, the state has gained control of the Armenian-governed area of Artsakh, increasing fear of erasure of the millennia-old Armenian monuments in the area.
The Potency of a Kitschy Picabia Nude
The artist’s “Nu de Do” makes a blue-chip, cock-rock show at Gagosian Gallery worthwhile.
In the Wake of Gezi, Taking Stock of Istanbul’s Art Scene
ISTANBUL — What are the ramifications of the Gezi Taksim protests for the artistic community in Istanbul and, by extension, the arts in Turkey?
Two Exhibitions Capture Life in the Caucasus
TBILISI, Georgia — This week in Tbilisi, there are two exhibitions worth checking out. They make a nice pairing for an afternoon, as the first deals with public memory while the second is a very intimate examination of hidden experience. Both are singular in that they reflect life in the Caucasus region yet have universal relevance.
Resisting the Russian Pull: Armenian Artists Speak Out
YEREVAN, Armenia — The Russians are not just trying to exert themselves in Ukraine; they are actively staking claims to their irredenta throughout their former territories. The opposition in Armenia has lacked the drama and intensity of the resistance in Ukraine and Georgia, but there is a small artistic challenge to what many are calling the Russian recolonization of the area.