The shuttering of SymbioticA, the world’s first bio arts laboratory, sends many practitioners back to square one when it comes to securing funding for their work.
Columbia University Graduate School of Journalism
Voicing the Pain and Resilience of Burkina Faso Refugees
Olivier Tarpaga’s “Once the dust settles” produces a tension between horror and beauty as the piece explores motherhood, womanhood, and feminism under threat of overpowering subjugation.
The Right to Live to See 21
Smaïl Kanouté’s performance piece “Never 21” honors the young men of color cut down by racism and gun violence before reaching that age.
New York Stage Productions Are Feeling the Strain of Supply Shortages
When supply chains and funding fall short, theatre does too.
How Do We Free Those Who Are Already Free?
African scholars Felwine Sarr and Dorcy Rugamba seek to answer this question with the musical theatre performance Freedom, I’ll have lived your dream until the very last day.
Still Hurting From the COVID Pandemic, DJs Turn to Digital Platforms
The use of technologies such as NFTs and live streaming has been growing steadily in the music world since the COVID-19 lockdowns.
Is Shadow Puppetry a Dying Art Form?
There are tensions between those who wish to preserve the nature of shadow play and those who want to see it evolve.
Digital Theater Is Not Just a Pandemic Fad, Creators Say
The art form continues to survive the return of in-person theatre, but maker-performers struggle with a lack of institutional support.
Unboxing the Origins of Civilization
With cardboard paintings, Omar Ba honors African cultures and challenges the Eurocentric view of history.
Hope and Agony According to Felwine Sarr
Traces — Speech to African Nations is a spoken word piece with music written by the acclaimed Senegalese scholar and performed by the Burkinabé actor Étienne Minoungou.
The Curious Dream to Build the World’s First NFT Museum
A secretive blockchain entrepreneur wants to mint a new institution to prove that NFTs are here to stay.
Who Owns the 3D Scans of a Famous Venetian Church?
“I don’t see the recording of the island as an end in itself,” says Adam Lowe, the founder of Factum. “We see it as the start of a new level of research.”