Smith’s collections of folk music, Indigenous art, and occult ephemera inspired generations of artists.
Albert Mobilio
Albert Mobilio is a poet, critic, and an editor at Hyperallergic. He is the recipient of an Andy Warhol Arts Writers Grant, MacDowell Fellowship, Whiting Award, and the National Book Critics Circle award for reviewing. His work has appeared in Harper’s, Black Clock, Bomb, Cabinet, Hambone, Open City, and Tin House. Books of poetry include Bendable Siege, The Geographics, Me with Animal Towering, Touch Wood, and most recently Same Faces. Games and Stunts, a book of fiction, was published in 2017 by Black Square Editions. He is an associate professor of literary studies at the New School’s Eugene Lang College and a former editor at Bookforum.
10 Art Books We’re Reading This November
Christina Sharpe’s Ordinary Notes, Nan Goldin’s new catalogue, a visual biography of Marina Abramovic, and more.
This Be the Verse: Our Favorite Poetry Books 2021 (Mostly)
John Yau and Albert Mobilio select a few choice titles from the past year.
This Be the Verse: Our Favorite Poetry Books of 2020
John Yau and Albert Mobilio select a few choice titles from the past year.
This Be the Verse 2019
John Yau and Albert Mobilio select a few of their favorite poetry books from the past year.
One Woman, 100 Men, and 100 Arguments
This 24-hour performance resembled a social psych experiment designed to test our patience and desire for change.
Garry Winogrand in Living Color
If the nostalgic atmosphere of the photographer’s black-and-white images threatens to obscure his compositional acuity these Kodachrome slides dispel it handily.
In Transit: Willem van Genk’s Cardboard Trolleys
The first United States exhibition of Dutch artist Willem van Genk’s work at the American Folk Art Museum offers a comic counterpoint to the recent Futurist show at the Guggenheim.
A Zoom with a View: Tullio Crali’s Death Loop
The affection, if not outright idolatry, the Futurists held for machines and speed initially focused on automobiles and locomotives, but in the early 1930s artists like Tullio Crali, Gerardo Dottori, Tato (Guglielmo Sansoni), and Giacomo Balla turned their attentions skyward to produce glorifying images of planes.
Eternal Recurrence: George Widener’s Time Pieces
You will be relaxing on June 30th in 2030: The guess is based on information provided by George Widener’s mixed media piece “A Month of Sundays” currently on display at Ricco/Maresca as part of the show Time Lapse.
Memories Are Made of This: Tom Duncan’s Constructed Past
If the so-called “greatest generation,” those that fought in World War II, have mostly passed on, their children, the pre-boomers born just before and during that conflict are still around.
Single Point Perspective: Dead Man Rising
Viewing the WAR/PHOTOGRAPHY show currently at the Brooklyn Museum offers a test of emotional restraint as well as the inclination to aestheticize. If the number of images is daunting, the sum of human pain on display registers as a body blow.