Launching this month in Los Angeles, Boss Witch will support site-specific performances in Joshua Tree, Mono Lake, and more.
Performance
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Dave McKenzie Brings His Methodical Approach to the Whitney Museum’s Facade
Debuting May 1, McKenzie’s Disturbing the View takes its inspiration from New York’s “squeegee men.”
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Performances in Memory of Media Artist Kate Johnson, “a One-of-a-Kind Spirit”
“EVERYONE WAS INVITED” promises a heartfelt celebration and opportunity to get to know this under-sung yet influential artist.
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Boogie With Patrisse Cullors in a Virtual Electric Slide
On Sunday April 11, Patrisse Cullors will be restaging “F*ck White Supremacy, Let’s Get Free” online for a global audience.
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How Cameras and Webcams Have Helped Us Bear Witness in 2020
Suzanne Lacy and her students suggest that screens can help us become more empathetic and aware of “each other’s practices, and realities.”
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The Pitfalls of Hosting a Virtual Cabaret
HaRaKa Platform’s Cairo KitKat Club pales in comparison to virtual performances mounted with only a fraction of the institutional support.”
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Inspired by Nam June Paik, Performa is Bringing Back the Telethon
The 8-hour online program will debut new works, reimaginings, and collaborations by artists such as Yvonne Rainer, Glenn Kaino, Barbara Kruger, and the WideAwakes.
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On Election Day, a Performance Remembers a Woman Who Fled Enslavement
Starting at Seneca Village and ending at the Manhattan Trump Hotel, artist Dragonfly honored the legacy of Ona Maria Judge Staines, who escaped from George and Martha Washington’s enslavement.
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A Performance Protest Against the “Petty Thuggery of Fascist Monsters”
From sunrise to sunset, the Afield will present a new multimedia performance which mines the details and redactions of the Mueller report.
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Wandering a Hollywood Film Set Destroyed by California’s Second-Largest Fire
In Fire Season, Monica Miklas invites you to the remnants of Western Town, a faux Wild West village formerly nestled in the Santa Monica Mountains.
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The Original Forger of Magic
No one was as successful at impersonation and forgery as William Ellsworth Robinson, nor has anyone failed as spectacularly.
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The Inheritance, a Play Haunted by Outdated Gay Archetypes
Having now announced it will close on March 15 (earlier than expected), we might look at exactly why The Inheritance failed to connect with New York audiences.
